englisch:paper-towns:different-perspectives
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Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung | ||
englisch:paper-towns:different-perspectives [14.06.2018 (23:59)] – retemirabile | englisch:paper-towns:different-perspectives [01.09.2025 (10:04)] (aktuell) – Externe Bearbeitung 127.0.0.1 | ||
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====== Different perspectives ====== | ====== Different perspectives ====== | ||
+ | |||
+ | ===== Looking down on Orlando ===== | ||
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- Describe the different ways in which Quentin and Margo perceive [wahrnehmen] Orlando from the perspective of the SunTrust conference room. | - Describe the different ways in which Quentin and Margo perceive [wahrnehmen] Orlando from the perspective of the SunTrust conference room. | ||
- Analyse how their perspectives of the same thing can be so different. What might be the reasons? Who do you think is right? | - Analyse how their perspectives of the same thing can be so different. What might be the reasons? Who do you think is right? | ||
- | - Read and think about the quote by John Milton | + | - Read and think about quote #1 from John Milton’s “Paradise Lost” |
- | - Can you see a connection between the thought | + | - Can you see a connection between the thoughts |
+ | - Imagine that Quentin knew the quote by Simone de Beauvoir (#3) written down below. What might he reply to Margo in the conference room scene based on that quote? | ||
</ | </ | ||
---- | ---- | ||
+ | > **Quote #1** | ||
+ | > | ||
> The mind is its own place, and in itself can make a Heaven of Hell, a Hell of Heaven. | > The mind is its own place, and in itself can make a Heaven of Hell, a Hell of Heaven. | ||
> | > | ||
Zeile 23: | Zeile 27: | ||
+ | > **Quote #2** | ||
+ | > | ||
> Das Glück Deines Lebens hängt von der Beschaffenheit Deiner Gedanken ab. | > Das Glück Deines Lebens hängt von der Beschaffenheit Deiner Gedanken ab. | ||
> | > | ||
Zeile 29: | Zeile 34: | ||
- | + | > **Quote #3** | |
- | ---- | + | > |
- | + | > Das Glück besteht darin, zu leben wie alle Welt und doch wie kein anderer zu sein. | |
- | <note> | + | |
- | We’re | + | |
- | + | ||
- | ---- | + | |
- | + | ||
- | **TASKS** | + | |
- | + | ||
- | - What important thought crosses Quentin’s mind in this scene? | + | |
- | - Can you see a connection to the situation discussed above, the different perspectives Margo and Quentin have on Orlando? Explain! | + | |
- | - Reflect on your own experience: Have you ever been in a situation in which you got to know someone more closely and realised that your image of that person has been incomplete, possibly even completely wrong? What does that tell us about our perception of the people around us and the world in general? | + | |
- | + | ||
- | </note> | + | |
- | + | ||
- | > “And all at once I knew how Margo Roth Spiegelman felt when she wasn't being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.” | + | |
> | > | ||
- | > p. 199 | + | > — Simone de Beauvoir (1908 – 1986), frz. Autorin, Philosophin und Feministin |
- | < | ||
- | ---- | ||
- | > Das Glück besteht darin, zu leben wie alle Welt und doch wie kein anderer zu sein. | ||
- | > | ||
- | > — Simone de Beauvoir (1908 – 1986), frz. Autorin, Philosophin und Feministin | ||
===== A little life lesson ===== | ===== A little life lesson ===== | ||
englisch/paper-towns/different-perspectives.1529013581.txt.gz · Zuletzt geändert: (Externe Bearbeitung)